Best Comics of 2014, No. 4: Tooth & Claw

Grinding away at these, despite continuing to work 45-50 hour weeks while I do class prep. I love doing these pieces, but finding the time remains a challenge.
Today's entry is another fine work by Kurt Busiek, whose Astro City made the list previously. I also loved Arrowsmith, and would be tickled to see its return. At any point! Print it, I'll buy it!

Plot development woven with
magic action!

Tooth & Claw has been described by others as "Game of Thrones with animals". While that's a bit on the nose, Busiek does use the animal mythos to tell his tale. It's a world of magic, run by sentient and slightly anthropomorphized critters. The species tend to go with their character types. As a lover of bison, I was a bit saddened to see them portrayed as aggressive and warmongering, basically dumb working class stiffs.

An early Issue 1 page, using art and
design elements to advance story
and build character.

That aside, there are several traditions that come into play here. It relates peripherally to the Omaha the Cat Dancer school of funny animal comics, in which the characters are more human than animal and species is used a shorthand for character type, as noted above. Other significant offerings in this area include Bryan Talbot's Grandville series and the Blacksad series, both of which had new books out in 2014 as well. There's also the mythology of humanity being succeeded by sentient animals- not much of a spoiler, really. As soon as the Colloquy started talking about the mythical Great Champion, it was pretty obvious it would prove to be a human, despite the red herring at the end of Issue 1. But that was a great red herring! A fox astride a saddled cricket- brilliant!
Ahem. Past precedents for sentient animals surviving humanity's demise include Clifford Simak's CITY and the classic MGM Christmas cartoons Peace on Earth and Goodwill to Men, the latter being the last MGM cartoon in CinemaScope. So it's not really a new concept, but the execution is fresh and uniformly professional. If it loads properly, here's the first of the two.

I've not seen Ben Dewey's art prior to this book, and the art integrates so cleanly with the text that I can't imagine a better fit. His work has verve and just the right amount of detail, plus plenty of the ornate flourishes that fantasy fans crave.

The revised cover for issue 1

The first Tooth & Claw trademark.
Butt floss riding up the tail? Really?

It needs to be noted that an unintentional trademark infringement required a title change to The Autumn Lands: Tooth & Claw. Two things come to mind.
1. Does this mean my copy of the first printing bearing the original title will be (gasp!) collectible? Oh, big whoop. Actually, I rather hope not. I've beat my copy up so much by repeated readings that it's worthless to anyone but me now.
2. Given the nature of the original work bearing said trademark, Busiek & co. are better off not having any association with it. I've included a cover of the earlier work bearing the title to prove my point.
All that said, Tooth & Claw remains a compelling story. Like the best of Busiek's work, it's rousing adventure coupled with smart, sensitive characterization and a storyline that, though walking a well-trod path, remains innovative and engaging, well worth the reader's effort.

Next: Best of 2014, No. 3, one that was left out.

Best Comics of 2014 No. 12 (tie) Astro City and Sensation Comics

Continuing our countdown of 2014's best, I'm padding the count a bit with a double header.
Both these books are takes on the 1960s -1980s superhero model. Often called The Silver Age, this is a period in comics history when writing began to improve, continuity came into play in a larger way, and there was still a spirit of optimism in comics, in tandem with the increased "realism" of early Marvel heroes. My love for this age is not just because these were the comics of my youth, but because they offered a more confident, positive world view.

Cover art for most recent issue

The first of these, Astro City, is now a Vertigo book. Given that Vertigo was begun as an experimental/horror line, this is mildly amusing. Kurt Busiek and Brent Anderson's Astro City is a place of real superheroes. Begun in the early 1990s, the book has retained both its quality and its popularity over the years. The book deals in fairly common themes- legacy heroes, intergalactic threats, the nature of villainy, possibilities of redemption. There's also a tantalizing back story building in the current arc involving a character named The Broken Man that promises to explode any issue now.
Fans read this book for its in-jokes and references as much as for its superb, exciting stories. A character in issue 15 attends Oksner College, a reference to DC artist Bob Oksner. The character Samaritan is an obvious Superman (or throw in your favorite ubermensch superhero) parallel. It goes on and on, but not knowing all the inside stuff doesn't interfere with enjoyment of the stories.
But the strongest aspect of the series is its humanity. Many of the stories concern themselves with the common citizen's relation to super beings. It's sort of a cross between Hitchcock's ordinary man caught in extraordinary circumstances and a Capra-esque everyman sensibility.
Even when the beings are paranormal, there's a sense of human frailty. Issue 17, a story titled "Wish I May", deals with a tormented genius cum mad scientist and his high school protector, who naturally becomes his superhero adversary. In an act of self-sacrifice, the hero Starbright dies, allowing the villain, one Simon Says, to come to terms with being a transgendered woman. After completing the transformation, of course she assumes the mantle of Starbright. It's nice to read a story about a transgendered individual that isn't a farce or a tragedy.
The second half of today's tie is even more traditional. Many wags have dubbed 2014 "the year of the woman" in comics, largely due to the excellent work on DC's Batgirl and Marvel's Captain Marvel and Ms. Marvel books. Those books didn't make this list simply because I haven't read them consistently enough to give a solid opinion.

However, in a painful bit of irony, the character that arguably paved the way for all super-powered females, Wonder Woman, has been going through a series of stories that both disappoint and frustrate. The bastard child of Zeus? The Goddess of War? Please.
Despite this, DC has done us all a great service. Available in both online and hard-copy formats, the anthology title Sensation Comics gives us Wonder Woman die-hards hope. I've only been reading the hard copy version, so I'm not sure how one translates into the other. In the floppy version, there are three or four stories per issue, each being a short Wonder Woman tale. In issue 1, there's a nicely done story of Diana taking on Batman's rogue's gallery in Gotham. Issue 2 has a nearly book-length story featuring Dr. Psycho and Cheetah, with strong, graceful art by Marcus Cho.

However, the book shines in the lead story of # 3. Beginning with the final number of a concert by Wonder Woman's band Bullets and Bracelets (which is actually a pretty good name for a band), the story takes in a meeting with two young female fans, which is followed by a conflict with an adolescent male bent on proving his own juvenility. The art in this story, by Margeruite Sauvage, is spot on for theme and tone. It should be noted that the creative chores in Sensation Comics seem fairly evenly divided between males and females!
Strangely, the story in #3 and #4 that everyone else seemed to adore, the Gilbert Hernandez story, left me cold. I'm a great admirer of the work of Los Brothers Hernandez, but this one just didn't work for me.

The aforementioned adolescent jerk from the concert story

Well, there you have it. At least transitory proof that optimism isn't dead, and that you can tell a smart, exciting story and still not be so Godawful grim about everything!
Tomorrow: Best of No. 12 rocks out!

Best Comics of 2012, No. 8: Night Force

What, another book that builds on older concepts? That's all we've had so far!
Patience, folks. There are books based on original ideas coming up in the list.
Which is not to say that Night Force is not original.
The third series using this name and concept, Night Force is written by Marv Wolfman, best known as the creator of Blade in the 1970s series Tomb of Dracula.
The latter ended in 1979 and Night Force began in 1982, but I always felt it was overshadowed by its predecessor. This is due in no small part to the use of the same creative team- writer Wolfman and artist Gene Colan.
The first series ran fifteen issues, including its preview appearance in New Teen Titans no. 21.

The second series of twelve issues began in 1996 and featured art by Brent Anderson of Astro City fame. Solid storytelling, but not as compelling as the original collaboration.
In all cases, the premise remains constant. Baron Winters, a cryptic figure with a questionable reputation the world of magic, recruits teams of disparate losers to serve his cause. While he does everything in his power to protect his hand-picked team, Winters is perfectly willing to use less than ethical methods, and will sacrifice his team members if need be. Sadly, this is a need that arises on a regular basis.
There are two other constants in this.
Winters has a leopard familiar named Merlin. It's been suggested several times that the leopard may actually BE the original Merlin.
Also, Winters never leaves his mansion. The doors to the mansion often lead to other locales and times when leaving than they do when upon entering.

In addition to these series, some variations on the Night Force team have randomly appeared in DC books over the years. Baron Winters was host to Harry Potter Tim Hunter when John Constantine was shuffling him about in Neil Gaiman's original Books of Magic mini series.
I had hoped to present the delightful dinner scene, but was unable to find it on the Interwebs at the ready. There's a marvelously tense and humorous  exchange between young Master Hunter and Baron Winters involving the rudeness of the Baron not addressing the young mage with sufficient respect, and the passing of tomato ketchup in a silver chalice.
Ahem.
Moving right along.
The current miniseries is a scant seven issues. This time, the art chores  go to the capable Joe Kubert School graduate Tom Mandrake. Though he's done a substantial amount of superhero and adventure work over the years, including a noteworthy run on First Comics' GrimJack and DC's underrated The Kents miniseries, Mandrake is at his best illustrating the supernatural.  His 1990s run on The Spectre and the underrated Fringe comic stand out in this arena.

Here, Mandrake and Wolfman (how's that for a team on a horror book?) tell of an attempt to stop the birth of an Antirchist/ Cthulu/ multi- generational demon child, cheered on by a centuries old cult. And wouldn't you know the Baron's prison/home, Wintersgate, is the ideal locale to focus such a birth?
The cult musters their forces inside the Baron's center of strength.
And all Hell breaks loose.
Perhaps.
I shan't reveal the ending.
In light of the numerous horror and horror influenced books that have succeeded since the original series- 30 Days of Night, The Walking Dead, Hellboy, even the quirky Chew has some elements of horror- does Night Force still stand up?
In a word, yes. It's not a bloodbath, but it has its horrific aspects. The horror is not only palpable but intellectually challenging. This is a book the reader has to work at understanding, but it's worth the effort.
My biggest quibble is that they changed the Baron's hair and updated his dress. I prefer the provincial cut and classic suit with bowtie and cape that he had in the first two series to the current metrosexual, stringy quasi-trendy look.

The "Old" Baron, from Moore's Swamp Thing run

Tom Mandrake's "new look" Baron

That aside, this is a fresh and welcome take on a tested concept. Sadly, Night Force has not always been well received by readers. First issue sales of this year's miniseries were just over 13,000. Hardly memorable. And the 2011 hardcover of the first series appears to already be out of print, which does not bode well for a TPB collecting this run.
My recommendation: haunt the back issue bins or check your local shop for a package deal. The search, and the series, are both well worth the effort.
Tomorrow: an odd double header for Number Seven in the Best of 2012, a beast and a snake.