Best Comics of 2011: no. 1

Finally.
To recap:
14. Sailor Twain
13. The Lions of Valletta
12. FF/ Fantastic Four no. 600
11. Rachel Rising/ Terry Moore's How to Draw series
10. Batwoman
9.  Star Trek
8. Scapled, Book 8
7. Ruse: The Victorian Guide to Murder
6. Sugar & Spike Archives
5. The Shade miniseries
4. Kevin Keller/ The Simpsons no. 183
3. Habibi
2. Pogo Vol. 1: Through the Wild Blue Yonder
And the No. 1 comic of last year:

This thing is a monster, in every way. Close to 40 years in the making, this is the only comic I know of that contains work by Vaughn Bode', C.C. Beck, Fellini, Frank Zappa, Will Eisner, Barry Smith, Wally Wood, Trina Robbins and Tom Wolfe, which is but a small sampling, to give you an idea of the book's scope.
The volume measures a hefty 5.7 x 11.8 x 0.9 inches and weighs over four pounds. The initial concept as proposed to Rolling Stone was to have cartoonists create work that summarized their views of the 1960s as the decade drew to a close. The project was tabled for a labyrinth of reasons, and just finally saw print this last November from Abrams Books.
Another noteworthy touch: the editor, Micheal Chocquette, asked that the creators leave blank space in each of their stories. He then returned to the stories and filled in those holes, illustrating his escapades in getting the book out in panels contained in the other narratives.
I had a hard time deciding which pieces to include in this entry, but here's the Frank Zappa page.

And I'll brook no complaints about the pages being crooked. Given the size of this bear, it's a miracle I got it on the scanner!
And here's the Eisner story, always a welcome treat.

 A new Spirit story.
That alone is an event worth celebrating.
In addition to the aforementioned benefits, the text of the foreign language strips is printed in the original text, with a section in the back devoted to translations. And the editor even has the courtesy to refer to the late Jeffrey Catherine Jones by her proper name and pronoun, despite her work having been submitted before she came out.
So what does it say that the two best comics of the year were reprints? Was there really such a dearth of worthwhile new material? Did I just not see the best stuff? Did my limited exposure for the first half of the year taint my judgment?
Or was that just the way it worked out?
Some combination of those factors, I suspect.
2012 looks to be a promising year for comics. I'm enjoying the stuff I've been reading all along- CHEW, Unwritten, Terry Moore's stuff- and some old favorites are reappearing- the first new issue of The Twelve for almost two years- so I have hope for a good year in comics.
Thanks for sticking with me through this painfully protracted process. Much faster next year!

Jeffrey Catherine Jones: a Bode' swipe and the First Work

A backlog of stuff I want to post will come up this week and next.
First on the agenda, here's the Vaughn Bode' piece on Jeffrey Jones' work that I promsied when i was writing on her life just after her passing.

 

Next, a surprise.

I was going through a stack of Larry Ivie's great Monsters and Heroes magazine from 1967- 69 and found Jeffrey's first published work!

It's from Issue no. 2, dated 1967. 

The notes on the editorial page read as follows: "The first guest creator we thought was intriguing enough to present was Jeff Jones, whose first professional story leads off this issue. We asked him to do a tale we could save fro this, our Official Dragon Issue- and are pleased to learn that, on the basis of it, Jeff has been given similar assignments for other publications, such as Creepy, Eerie, Ace Pocketbooks, and, at last word, an upcoming series of his own in King Comics. We certainly hope that our future guest artists will be as successful, and we will try our utmost to select those whose work might lead to equal possibilities. Adding to the historic significance of Dragon Slayer is the fact that his lovely wife, "Weezie", wrote the script. We hope you enjoy it."

The editorial page also has a small photo of the couple, which I did not scan for this posting. If there's interest, I will.

Now here's the story!

As always, click the images for a larger version.

 

Next: a more detailed look at Seamus Burke's OH GOODIE! collection.

A memory and a reflection: Jeffrey Catherine Jones, 1944- 2011

The comics world is full of people who call themselves artists, for better or for worse.
The larger art world has a similar circumstance.
Few cross the arbitrary boundaries of the two worlds.
Jeffrey Catherine Jones was one of those few.

 

Beginning her comics career with some one-off stories for Charlton and some work in the undergrounds, notably on her stunning solo book Spasm!,  Jeffrey's work first gleaned national recognition through the pages of the National Lampoon. 

Her strip IDYL, stunning in its clarity, was a series of sardonic and melancholy short moral tales, often strangely out of place among the strip's peers, but always welcome and eagerly devoured by the readers. During this time, Jones also took up with Bernie Wrightson, Micheal Kaluta and Barry Windsor-Smith in the short-lived adventure known as The Studio. Wrightson spoke to me concerning The Studio at San Diego a couple years ago. To paraphrase from my spotty memory, "It was this huge, rat-infested space with great light. We only worked there together a short time (he specified the time frame, but I don't recall specifics- it may have been less than two months) until the whole thing caved in. But we produced some incredible work." Shortly thereafter, Jones shared an upstate New York home with Vaughn Bode', a colleague from the undergrounds, another collaborator with Wrightson (on the Purple Pictography strips for Swank), and another artist with transgender leanings. Bode' and Jones were fast friends by all accounts, and some of their adventures living together are documented in the Comics Journal special issue on sex. The article is reprinted at this link, on the website of Vaughn's son Mark Bode'. 

Vaughn's strip Jones Goes to Bones is a loving jab at Jeffrey's perspective that her art would make her immortal. I'll add the strip to this post as soon as I can get a decent scan of it.

I have no direct knowledge of the problems Jeffrey faced in the subesquent years. She finally had her sex-reassignment surgery fairly late in life. 

She had personal problems following her surgery, but based on secondhand reports from mutual friends in the comics community, these were problems she had experienced prior to surgery as well. Her bouts with mental illness have been documented, by her, on her website. She appeared to be in recovery in the final years of her life.

I wrote her in the early 1990s as part of my research for my book on GLBT comics.We struck up a brief correspondence thereafter, truncated by her aforementioned illness. 

Her reply to my specific query about her sexual identity, which I promised to use verbatim:

"That I am a transsexual is a matter of public record. But I am a woman first and an artist second and wish to be seen on those terms. I find no others acceptable."

I reconnected with her via Facebook, as did so many others. I suspect she was surprised to find out just how large a following her work had. 

L to R: Wrightson, Jones, Kaluta, Smith: The Studio

A Jones Tarzan painting

Ms. Jones in recent years

In the spate of obituaries I've seen today, there is a bit of well-intentioned stumbling over pronouns. My response is direct. She chose the terms of her life. Respect them in her death.

Finally, here's a video obituary that includes the trailer for a recently funded documentary on the life of Jeffrey Catherine Jones. Like Roy Orbison, she was lucky enough to live to see a renewed interest in her work.

Goodbye, Ms. Jones. I would have liked to have known you better, but I feel honored to have known you at all. Your work made all our lives a bit richer.