The next page of Surrealist Cowgirls is closer, closer, closer to completion and scanning.
Meanwhile, here is another batch of themed sketchbook images.
These are from the same sketchbook as the preceding batch, but the uniting theme here is different. These are all works drawn from reference.
I have not shared these with anyone until now.
Again, this was a very fertile period for me. While my personal life was in shambles, my confidence in, and skill in, my art was growing by leaps and bounds. This may have been a posture of defiance (the one thing that could not taken from me at the time). Or it could have been just a way to keep my mind off my situation.
Whatever the reason, while these have their flaws, there is something to recommend each of them. As cases in point, the Pyle study is in large part an experiment in single direction hatch, and the Spike Lee piece is an attempt to draw in pure shadow- as few lines as possible.
Here they are for your perusal and enjoyment.
|Fortune's Friends by Colleen Doran, composition inspired by cover, #4 pencil|
|Figure study from Burne Hogarth, #4 pencil|
|Study from Burne Hogarth, #4 pencil|
|Face study from Kaluta/Russ Heath Shadow book,|
#4 pencil and marker
|Accidental color version of Kaluta/Heath piece.|
The marker chemicals embedded on the page
facing the original sketch,
and created purple and yellow tones on their own!
|J. Noel Paton copy, #4 pencil|
|Howard Pyle copy, graphite stick and green ballpoint pen.|
Pyle has been a personal favorite since childhood!
|Spike Lee, #4 pencil sketch off TV, probably from The Actor's Studio|