Sunday, September 24, 2023

Original Art Sundays No. 370: Sharp Invitations: Esther's Hands, p. 12

 Another quick episode this week.

 Another quick gag strip. I like doing these for previously mentioned reasons. They break narrative tension, they inject a little joy into the story, and they're quick and fun to draw. In this case, it's a throwaway moment that implies a lot more. It alludes to the "pink cloud", the freedom to be yourself after having been closeted way too long. In this case, that reflects in exploring, ahem, intimate possibilities. In this case, it also touches on Mother's more reserved nature. It wasn't so much an inhibition as -well, we just don't talk about such things. 
The art is quick and loose. The star here, if there is one, is the facial expression. The eagerness in the first panel, the dreamy look in the second, surprise in the third, and sarcasm in the last. As the strip goes, Mother's expression gets subtly and progressively annoyed.
The background is nonexistent. If the reader looks back at similar pages from earlier in the narrative, this is consistent. Yes, cartoony work (whatever that nebulous terms means) can have more developed backgrounds, as in the case of the classic Sugar & Spike. But that's not what we're after here.
My only concern with this and similar pages is that it might be too much of a tonal jump. But after heavy dramatic moments, I'm ready to take a breath, and I hope my readers share the sentiment.
Simple tools this time:
  • Printer paper
  • T-Square, triangle, straightedge
  • 3B lead and lead holder
  • Tech pens: ,6, .8, 1.0
  • Ballpoint pen
  • Magic rub eraser
Scott McCloud was right. The only tools you need to make comics are a piece of paper and a pen.
Next: Mother is there for The Big Day.