Getting the hang of digital lettering, and using the balloon shapes I bought from Comicraft. I might get another set for variety, but these work for these basic pages.
I'm posting pages out of order as I complete them digitally from scans. I will post complete stories once the whole short story is posted. As mentioned last week, Sharp Invitations is a collection of short pieces that form a whole. This is page 2 of The Second Sharp Invitation, the second story in the book.
I'm still working on a viable studio setup in the new place. I've been making it work, but it feels cramped. However, I'm reluctant to take time away from the work to rearrange my studio, with such a tight deadline (May 15!) looming.
Specs on this page: pen and ink on recycled Bristol board, digital lettering, balloons and text boxes. I'm pretty pleased with this one, though I might rework that left-facing profile shot in the lower panel if there's time.
I've been free-handing a lot of things like the holding line for the car dashboard in panel one, and I think I'll try to use my tools a bit more. The emotion of the work and the urgency of the deadline should not allow me to take short cuts, if those short cuts mean I need to rework panels or pages!
After a frustrating month of poking at this thing, I'm finally getting some momentum. Recognizing how huge the work is personally can be inhibiting, but it can also be liberating. More on that in upcoming weeks!