Sunday, September 24, 2023

Original Art Sundays No. 370: Sharp Invitations: Esther's Hands, p. 12

 Another quick episode this week.

 Another quick gag strip. I like doing these for previously mentioned reasons. They break narrative tension, they inject a little joy into the story, and they're quick and fun to draw. In this case, it's a throwaway moment that implies a lot more. It alludes to the "pink cloud", the freedom to be yourself after having been closeted way too long. In this case, that reflects in exploring, ahem, intimate possibilities. In this case, it also touches on Mother's more reserved nature. It wasn't so much an inhibition as -well, we just don't talk about such things. 
The art is quick and loose. The star here, if there is one, is the facial expression. The eagerness in the first panel, the dreamy look in the second, surprise in the third, and sarcasm in the last. As the strip goes, Mother's expression gets subtly and progressively annoyed.
The background is nonexistent. If the reader looks back at similar pages from earlier in the narrative, this is consistent. Yes, cartoony work (whatever that nebulous terms means) can have more developed backgrounds, as in the case of the classic Sugar & Spike. But that's not what we're after here.
My only concern with this and similar pages is that it might be too much of a tonal jump. But after heavy dramatic moments, I'm ready to take a breath, and I hope my readers share the sentiment.
Simple tools this time:
  • Printer paper
  • T-Square, triangle, straightedge
  • 3B lead and lead holder
  • Tech pens: ,6, .8, 1.0
  • Ballpoint pen
  • Magic rub eraser
Scott McCloud was right. The only tools you need to make comics are a piece of paper and a pen.
Next: Mother is there for The Big Day.

Sunday, September 17, 2023

Original Art Sundays No. 369: Sharp Invitations: Esther's Hands, p. 11

 Once more, here we go! Some delays due to personal issues, now mostly resolved.

When we left, our heroine (me) was on a phone call to Mother, talking about coming out.

Read on.

Sigh.

The text of the letter was a challenge. I don't have the original letter any more, but it resonated with me. I tried to simulate Mother's handwriting, which was illegible to anyone but family. I will include the text in a supplement in the finished book, but here it is.

"Grandma put in a good garden this year- Should be a lot of green beans- and of course wild pie plant for when you come up-

I've been thinking a lot about you - what you're doing seems right- but be careful- sometimes the relief of making a big decision can be confused with it being the right decision

Just something to think about-

Read the most fascinating book about Ghengis Khan"

Mother didn't use periods. Everything was dashes. I debated typesetting this, but reproducing her handwriting seemed more - well, proper. 

In narrative and in design terms, this page advances the story well, but the content is static. I toyed with a couple ideas for the first panel. I wanted to convey that we were still in the same phone call without using the same visual devices. I reused the poses from the previous page and just changed the positions and expressions slightly.  I thought the split and reverse of heavy blacks worked well. And I liked the wavy line!

Panel two: I wanted an emotional moment without a close up. Too many close ups lately! The 3/4 shot of me and Mother embracing shows emotion, and shows me out of "boy cosplay" in front of family for the first time. The action lines give it a little weight. Panel 3, the letter, was a strategic narrative choice. It brought the page to a satisfying conclusion, and said something about Mother's thought processes.

Tools used on this page:

  • Papers: tracing paper, various sketchbooks, Canson Bristol board
  • Pencils: Lyra 2B graphite stick, 4B lead and holder, 2B Ticonderoga classic, tech pencil and 4B lead
  • Erasers: kneadable, vinyl eraser, Click eraser
  • Hand Tools: 6" and 14" straightedge, triangle, T-square, French curves
  • Inking tools: Dr.Martin's Black Magic ink, nib and holder, Princeton Deerfoot 1/4" mini detailer brush (can't get enough of this brush!), Kingart 8 Gold Synthetic
  • Markers: Micron 0.25, 0.5, 0.6, 0.8, and Copic 0.25, Copic Brush and Micron small brush
  • And of course, Photoshop

 Next: Mother gets irritated.