Original Art Sundays No. 286: Inktober 2021, Part 1

HI all;

Next page is nearly done. Rather than post late or skip a week, here are my current efforts for Inktober. 

Day one:

 We start with a swipe from the cover of a swing album I discovered on Apple Music, Naomi and Her Handsome Devils.

More stylized than my work usually is, but such fun! 

I played with BIG brushes filling in the background.

I always love the geometric elements associated with this era, as anyone who recalls my Speedy Recovery and His All-Girl Orchestra comic will attest.

Day Two: 

A pretty straightforward swipe of a panel from Dean Motter's Mr. X.

I'm re-reading this and finding new stuff in it. The design paradoxically feels like both 80s-90s and 1920s.

I adore his facial expressions!

So vibrant with just a few well-placed lines.

Day Three:

Charles Mingus, in Walnut ink. From photo reference.

I didn't quite capture his majesty or exreme coolness, but I like this one anyway.

I was privileged to see Mingus live once. In the middle of the set, some guy in the back yelled out, "Do it, Charlie!"

He peered over his sunglasses and replied, "Ah, do what, man?"

Day Four:

One of my favorite panels from the Don Rosa classic Life and Times of $crooge McDuck.

Honestly, this whole sequence is just so powerful, but this panel, with him chained by his evil rival, as he is ridiculed and informed that his mother is dead, is just so perfect.

I've tried to explain the virtues of funny animal stories to the uninitiated, to no avail. I fear it's one of those things where either you get it or you don't.

Day Five:

A mocking Big Cat from Craig Russell's adaptation of The Jungle Book. 

Russell is another one of those artists whose work leaves me breathless. There's a classic elegance to his work, but when you look at it closely, his lines are almost breathy. I wish I could afford to get some of his video tutorials! I learn so much from such things.

Day Six:

Very loose pen and ink rendering of the sadly demised jazz great Emily Remler. We lost her to heroin some years ago. Her style was her own, but based in the work of Wes Montgomery.

This is deliberately sketchy. I wanted some quiet energy on this one.

Mixture of ink and marker.

Day Seven:

Now this was fun!

There's a little concrete warthog on a stair post in front of a house near MCAD. We all know it and love it. It became a character in my only Surrealist Cowgirls cartoon, now lost to the ages. But it elicits such warm feelings as you walk by!

This is brush work. The background is crow quill, and the background is loosely inspired by Jim Woodring's work.

I have a couple more, but I'll save them for the next posting. The next page will be posted in a couple days, and I'll just sneak in more Inktober throughout the month. I've been crossposting my Inktober work on Facebook and Twitter, if you just can't wait.

Original Art Sundays No. 126: Tranny Towers, Ch. 28

One more from a tearsheet. As always, click on the strip to see it larger.

This cleaned up fairly well, but will still need a rescan once I dig the originals out of the vault, as it were.
Notes on this chapter: decent action, adequate backgrounds, straight-up 2 x 3 classic panel layout, useful for action and humor pages (though for some reason, a 2 x 4 layout works better with most comedy stories). I seldom write action-heavy stories, and I wanted to push myself a bit in that area, as you'll see next week.
I think the Art Deco typeface in the banner is from a public domain book of Deco faces. I do love hand rendering mastheads!
The title "Let's You and Him Fight" is my favorite Wimpy line from Popeye. I also like, "I would gladly have you over for a duck dinner. You bring the ducks."
The line about "all glitter and no go" in the last panel is from Mike Baron's Badger no. 1.
There are 35 strips in the series, plus a few appearances in political strips from TransSisters and TNT News magazines in the early 90s. So we have about 7 weeks until the basic strip is completely posted. I'll save the editorial strips for the book, and I have an undrawn script somewhere that was intended as a collaboration with Katherine Collins (creator of Neil the Horse) before she fell off the radar. So there will be some bonus material in the book. More on that later. I have this habit of planning a lot and doing a fraction of it. I know, I'm the only creative person to have that problem...
Next week: the street fight.

Original Art Sundays No. 124: Tranny Towers, Ch. 26

Once more into the breach with the next chapter!

Another tearsheet scan. This one definitely needs to be rescanned from the original art. There are dropouts in the bar in the bottom left panel, and the big text in the center tier is actually 50% gray outlined in black.
Plot notes: this is the point where the Agnes Nixon axiom comes into play. The strip is fundamentally a soap opera, and Nixon, who created some of the best (including the sorely missed Ryan's Hope), once noted that soap opera plotting consists  of people doing all the wrong things for all the right reasons.
There's also some wish fulfillment here. This is how part of me wishes I would have behaved in a similar situation. Though it accomplishes nothing, telling off someone who's humiliated you in that singular way (not having the courage to let you know what's going on and making you find out the hard way) does have a bitter satisfaction, however Pyrrhic and short-lived the victory.
Simply put, it's one of those times when you REALLY want to tell someone off, though you know it will do no good at all, just for your own pride.
Swipe file notes: the title is properly credited to Howard Cruse, whose gentle wit inspires me. The masthead text is copied freehand from a book of Art Deco typefaces (a Dover book, I think). The line "dishonorable and gutless" comes from the powerful film Cutter's Way.
Next: Chapter 27, the street fight.

Couple pre-Valentine's images

An hour early, but what the hey.
Usually this day doesn't bother me, but this year it's a bit of an irritant.
Valentine's Day. Grr. A paean to straight people, many of whom also chafe at its baggage and expectations. 
Years ago, Jenny and I went to a Valentine's screening of CRUMB. It began with some great Betty Boop cartoons, then a wonderful set by the Penguin Cafe' Orchestra. During the intermission, the manager made a short announcement. "You may wonder why we're showing this film for Valentine's Day. Well, we think that most people's relationships are at least a little messed up, no matter how hard they try. And we thought that no matter how bad your personal relationships were, they had to be better than Crumb's, so we wanted to give you hope."
I can't quite hang with that level of cynicism about the whole thing, but my usual idealism about love and romance has been a bit tattered of late.
So I hope my ambiguity on this issue doesn't deter your enjoyment of the day. Please enjoy these images that reflect my current antipathy towards romance.

I love the Art Deco typography on that one! But I'll let the next two speak for themselves...

 

  

And then there's...

Now that's better.

Charm School gives me hope.
This delightful comic from about 8 years ago tells of the romantic contest between a gorgeous butch vampire, a mortal and a witch.
And it's a book that openly acknowledges the lesbian relationships but treats them as a matter of course.
So refreshing.
Full of songs, spirit and passion, this book is just plain fun. I need to dig out my copies and get them to the binder, so the volume can hold a place of honor on my shelf, like it deserves!
Quite honestly, I had no idea what I was going to say when I started writing this. My love life has been mostly theoretical for the last 5 years. But even with all the frustrations relationships bring, I still want one.
I guess as messed up as romance can be, we still need it, and at its best, it's so amazingly joyous as to be worth the rest of the craziness.




There you have it. Hope springs eternal!