Another quick episode this week.
- Printer paper
- T-Square, triangle, straightedge
- 3B lead and lead holder
- Tech pens: ,6, .8, 1.0
- Ballpoint pen
- Magic rub eraser
Insights about comics, prog rock, classic cartoons and films, higher education, sexuality and gender, writing, teaching, whatever else comes to mind, and comics. I know I said comics twice. I like comics!
Another quick episode this week.
Once more, here we go! Some delays due to personal issues, now mostly resolved.
When we left, our heroine (me) was on a phone call to Mother, talking about coming out.
Read on.
Sigh.
The text of the letter was a challenge. I don't have the original letter any more, but it resonated with me. I tried to simulate Mother's handwriting, which was illegible to anyone but family. I will include the text in a supplement in the finished book, but here it is.
"Grandma put in a good garden this year- Should be a lot of green beans- and of course wild pie plant for when you come up-
I've been thinking a lot about you - what you're doing seems right- but be careful- sometimes the relief of making a big decision can be confused with it being the right decision
Just something to think about-
Read the most fascinating book about Ghengis Khan"
Mother didn't use periods. Everything was dashes. I debated typesetting this, but reproducing her handwriting seemed more - well, proper.
In narrative and in design terms, this page advances the story well, but the content is static. I toyed with a couple ideas for the first panel. I wanted to convey that we were still in the same phone call without using the same visual devices. I reused the poses from the previous page and just changed the positions and expressions slightly. I thought the split and reverse of heavy blacks worked well. And I liked the wavy line!
Panel two: I wanted an emotional moment without a close up. Too many close ups lately! The 3/4 shot of me and Mother embracing shows emotion, and shows me out of "boy cosplay" in front of family for the first time. The action lines give it a little weight. Panel 3, the letter, was a strategic narrative choice. It brought the page to a satisfying conclusion, and said something about Mother's thought processes.
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